''Laura'', 1944 - art by Boris Grinsson is a mixed media by Movie World Posters which was uploaded on May 30th, 2021.
''Laura'', 1944 - art by Boris Grinsson
A vintage movie poster of ''Laura'', a 1944 American film noir directed by Otto Preminger and based on the novel of the same name by Vera Caspary.... more
Title
''Laura'', 1944 - art by Boris Grinsson
Artist
Movie World Posters
Medium
Mixed Media - Vintage Movie Posters
Description
A vintage movie poster of ''Laura'', a 1944 American film noir directed by Otto Preminger and based on the novel of the same name by Vera Caspary. The film is known for its stylish cinematography, intriguing mystery, and memorable characters. Here's a description of the movie:
Plot Summary:
"Laura" is a classic film noir set in New York City. The story revolves around the murder of a beautiful and successful advertising executive named Laura Hunt, portrayed by Gene Tierney. The film begins with the discovery of Laura's lifeless body in her apartment, and the police launch an investigation into her death.
The investigation is led by Detective Mark McPherson, portrayed by Dana Andrews, a seasoned and somewhat cynical investigator. McPherson begins by interviewing Laura's friends and acquaintances, including the enigmatic and charismatic columnist Waldo Lydecker, portrayed by Clifton Webb, and Laura's fiancé, Shelby Carpenter, portrayed by Vincent Price.
As McPherson delves deeper into Laura's life, he becomes obsessed with the mystery of her murder. He spends hours in her apartment, surrounded by her belongings, in an attempt to understand who she was and what might have led to her death.
The film takes a twist when Laura herself suddenly appears alive and well, much to the shock of those who believed her to be dead. Her reappearance complicates the investigation and raises questions about the true identity of the murder victim.
As the plot unfolds, "Laura" explores themes of obsession, desire, and the power of perception. It delves into the complex relationships between the characters, particularly the infatuation that both Lydecker and Carpenter had for Laura. McPherson's growing attraction to Laura further complicates the dynamics.
The film is known for its stylish and atmospheric cinematography, capturing the glamour and sophistication of New York's high society in the 1940s. The iconic theme music, composed by David Raksin, adds to the film's allure and has become synonymous with the movie itself.
The performances in "Laura" are notable, with Gene Tierney portraying the titular character with grace and allure, while Dana Andrews delivers a solid performance as the determined detective. Clifton Webb's portrayal of the eccentric Lydecker and Vincent Price's role as Carpenter add layers of complexity to the story.
"Laura" is celebrated for its storytelling, character development, and the clever manipulation of audience expectations. It is regarded as one of the quintessential examples of film noir and remains a classic of the genre. The film's mystery and suspense continue to captivate audiences, making it a timeless and enduring cinematic work.
About the artist:
Boris Grinsson (1907, Pskov, Russia, - 1999, Paris) was a designer of Russian origin who lived and worked in France. For about 30 years of his career, from the 1940s to the 1970s, he painted more than 2000 posters for the French cinema circuit, becoming extremely popular among film directors.
After studying at the Academy of Fine Arts in Estonia, where the family moved to escape the Russian Revolution, the artist reached Berlin and enrolled in Decorative Arts. Grinsson immediately started working in cinema at the UFA studios in Balberg and soon began designing posters for the Paramount and MGM. He worked among the many directors, including Alfred Hitchcock, Luis Buñuel, Billy Wilder, Alain Resnais, and Luchino Visconti.
His designs were also particularly controversial. In 1932 he drew a polemic caricature of Adolf Hitler. As a result, he was forced to move to Paris to escape the Nazi regime. Nevertheless, he continued to create the French versions of many famous movie posters in France.
Grinsson’s painting style for posters is characterized by his peculiar treatment of colors. If compared with the style of Italian designers, for example, his portraits appear somewhat schematic. Rather than using strong contrasts between light and shadow, Grinsson
modulated his figures with bold flat planes of colors and cool and defined outlines.
His posters often look like works of modern art rather than traditional sketches. Even the color palette is somewhat restricted, preferring different shades of yellows, greens, blues. However, the chromatic and formal restriction of Grinsson’s style is not to be seen as a limitation but as a legacy of the lithography technique that dominated German design until the early 1960s. A historical and peculiar element that distinguishes its very different and endless production.
Search “Grinsson” to see more of his art.
Uploaded
May 30th, 2021
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