''Affair in Trinidad'', 1952 - art by Anselmo Ballester is a mixed media by Movie World Posters which was uploaded on July 5th, 2021.
''Affair in Trinidad'', 1952 - art by Anselmo Ballester
A vintage movie poster of ''Affair in Trinidad'' a 1952 American film noir directed by Vincent Sherman. The film is notable for being the re-teaming... more
Title
''Affair in Trinidad'', 1952 - art by Anselmo Ballester
Artist
Movie World Posters
Medium
Mixed Media - Photograph
Description
A vintage movie poster of ''Affair in Trinidad'' a 1952 American film noir directed by Vincent Sherman. The film is notable for being the re-teaming of the iconic on-screen duo Rita Hayworth and Glenn Ford, who had previously appeared together in the successful film "Gilda" (1946). Here's a description of the movie:
Plot:
"Affair in Trinidad" is set against the sultry backdrop of Trinidad in the Caribbean. The film follows the character of Chris Emery, portrayed by Glenn Ford, who is a Canadian expatriate living on the island. Chris becomes entangled in a web of intrigue and danger when he arrives in Trinidad and learns about the mysterious death of his brother.
Chris soon encounters his brother's widow, Lorna Hansen Forbes, played by Rita Hayworth. Lorna is a glamorous nightclub singer with a troubled past. Chris and Lorna's complicated history and undeniable chemistry add tension to the narrative.
As Chris investigates his brother's death, he becomes embroiled in a plot involving espionage, secrets, and betrayal. The film combines elements of film noir, romance, and suspense as Chris and Lorna navigate the dangerous world of spies and deception.
Key Elements:
Rita Hayworth and Glenn Ford: "Affair in Trinidad" reunites the iconic pairing of Rita Hayworth and Glenn Ford, known for their on-screen chemistry, which had previously been showcased in "Gilda."
Film Noir: The film incorporates elements of film noir, with its moody cinematography, shadowy characters, and a sense of intrigue and danger.
Tropical Setting: The film's setting in Trinidad adds an exotic and atmospheric backdrop to the story, with lush landscapes and a sense of escapism.
Mystery and Suspense: "Affair in Trinidad" is marked by its mystery and suspense, as Chris unravels the secrets surrounding his brother's death.
Romance and Intrigue: The film combines romance and intrigue, with the complicated relationship between Chris and Lorna at the center of the narrative.
"Affair in Trinidad" is a classic film that offers a blend of romance, suspense, and exoticism. It capitalizes on the chemistry between Rita Hayworth and Glenn Ford and provides an engaging storyline with twists and turns. The film is a notable addition to the filmography of its two iconic lead actors and remains a memorable entry in the film noir genre.
About the artist:
Anselmo Ballester (1897–1974) was a noted Italian painter and film poster designer from Rome. He was the son of Federico Ballester (Rome, 1868–1926), a painter of Spanish origins. Inspired by his father's artistic endeavors growing up, Anselmo completed his first works at 15.
After attending the Academy of Fine Arts in Rome, he specialized in film advertising for the most important silent film production houses. He created posters and other advertising material for CINES, Caesar Film, and numerous other studios.
In his studio in Rome, via della Croce 50a (then via della Passeggiata Ripetta 19), he spent almost 50 years creating thousands of sketches for playbills and paintings for film posters. He went on to form the design company BCM along with two other prominent Italian poster artists, Alfredo Capitani and Luigi Martinati
The movie posters Ballester created between the 1930s and 1950s showcased his unique painting style using tempera medium and bold colors. They typically featured one or two significant characters. His style is reminiscent of pulp fiction covers and, like the best cinema advertisements, were infused with intrigue, conflict, and passion. His works were uncomplicated yet rich in detail, a techniqe and style he himself describes:
"To become a creator of film posters ... it is necessary to study passionately, always to draw and paint everything from the truth. Then you can let your imagination run free. Whether you are creating a work of art, or a more humble advertising poster, you must be able to attract the interest of the public, to satisfy both the most refined people and the roughest, who are the majority."
From a stylistic and compositional point of view, Alfredo Ballester began by drawing inspiration from the advertising posters of Art Nouveau, and then he defined his personal code. The painter exhibited a common layout in his movie posters: the actor or actress beautifully portrayed in the foreground, and one or two scenes from the film in the background.
To achieve this result, he used a methodical technique, making numerous sketches of the project only after having the best two selected by the client, he devoted himself to the final painting, strictly handmade.
Ballester's color palette, however, was his greatest talent. The artist used colors expressively, as a tool to convey emotions. The portraits of the stars were extremely realistic but often colored with unnatural hues such as pinks or intense light blues. Ballester illustrated his characters with colors capable of conveying the range of feelings transmitted by the film.
He was written about in "Anselmo Ballester: the Origins of the Film Poster," published by the University of Parma, Study Center and Communication Archive in 1981. In addition, Dave Kerr made extensive use of his images in his 2003 book, "Italian Film Posters, "published by The Museum of Modern Art in New York.
Permanent collections of his work are displayed at the University of Parma, Communication Studies Center and Archive (CSAC) and the Cinema Museum in Brush, Montecosaro.
To see more of his posters search by his last name.
Uploaded
July 5th, 2021
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